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Tartakovsky turned Jack's final story into one of a hero wracked with post-traumatic stress, seeking redemption after 50 years of fighting. "So because we were on Adult Swim," Tartakovsky says looking back, "we could do something that’s darker or more real, and more - not dumbed down for kids, not that Jack ever was really that dumbed down - but we didn’t go that deep, for the most part." Tartakovsky had to ramp up Jack's core conflictĪiring the show on Adult Swim, in a timeslot seemingly tailor-picked for only the hardcore fans (Saturdays at 11pm), offered Tartakovsky a lot of creative freedom. As the creator told it in behind-the-scenes materials for the show: "Lazzo called me the next day, and in two weeks the deal was done. The project never materialized, but Tartakovsky finally managed to turn it into a miniseries after pitching it to Mike Lazzo, the executive vice president in charge of Adult Swim. The show shut down production in 2004, but for years Tartakovsky and his collaborators were trying to turn Jack's final story - when he would "return to the past and undo the future that is Aku," as the show's refrain went - into a movie. Nothing else looked like this show in 2001, and nothing else looked like it 2017. Samurai Jack's characters were animated without outlines. Samurai Jack episodes could be excruciatingly slow and were often dialogue-free, even while referencing the likes of Star Wars, blaxploitation kung-fu movies, Destiny's Child, 300 (the comic, before the film came out), and more. Most episodes were filled with stylized sword fights and framed like classic samurai films, and while the show had a keen sense of humor (because obviously the future has talking dogs and angry, gun-toting Scottish warriors who also practice Celtic magic), it was mostly notable for how unique its artistry was. "I want it created stylistically and interestingly enough that it’s unique." The cackling Aku destroyed his homeland, cast the samurai into the distant future, and brought the population to heel in a dark technocracy. He conceptualized Jack as a serious samurai with a magic sword displaced in time.
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Tartakovsky, got his start in cartoons as a storyboard artist, later creating the dynamic series Dexter's Laboratory and Star Wars: Clone Wars.
To understand what made Samurai Jack's return so special, you have to understand a little bit about Samurai Jack.
Samurai Jack was special, and a revival took a lot of time to get right "We wanted to get into Jack’s head more," he says "We wanted to see the effects of all this time. For Tartakovsky, it was an attempt to tie off a loose end and advance Jack's story toward a more cinematic conclusion than he could have done 13 years prior. The revival debuted in March 2017 and packed action, romance, comedy, and nonstop references to the show's past, lighting the internet on fire every week as longtime fans clamored to watch their hero's final journey. The result of Tartakovsky's labor is a tight, 10-episode final season that tied off the eponymous samurai's story and ended his centuries-spanning feud with the evil wizard Aku. And so for this we wanted to do one story arc." So we were forced to not have cliffhangers and not do the continuing story arc. "Back in the day, nobody was really doing that. "Before, we weren’t allowed to do a continuous storyline," he tells Thrillist, citing the norms of Cartoon Network's typical original output at the time. Samurai Jack was never designed strictly for kids, so when director and series creator Genndy Tartakovsky revisited the world this year on Adult Swim, he took the chance to do more with the character in 10 episodes than he'd ever done in the 52 that aired in the early '00s. This article contains spoilers for the fifth season of Samurai Jack.